‘Departure and homecoming: Tradition may constitute a point of departure for creation, but never a home to come back to’
— Kazuo Shinohara

Thinking

As our name implies, we begin each process by understanding the already existing. We do this in order to ‘design as little as possible’, letting patterns of life frame and direct our work. We begin each project by first understanding the qualities of the client, space, or situation that we are working with. We work with these with the ambition to help places feel truly alive. This aliveness often grows out of patterns of history and culture and these are our roots for transformation and care of the existing. We believe this aliveness is activated by bringing forth a universality in our work. Universality often suggests a level of fundamental truth or validity that transcends specific circumstances.

Due to growing wealth and technological advancements, the structures that shape our lives have evolved from simple frameworks into intricate webs designed to demand constant attention. As a response we aspire for a universality in architecture that offers simple organized frameworks to make space for and hold this aliveness:

A place where life can unfold organically.

Building

We like to think that architects build. If that may be designing, drawing, planning and administration, it all eventually comes down to the act of building. We as architects should first and foremost think within this paradigm of building instead of merely planning. Production is a core pillar in our practice and is always introduced in the conceptual/schematic phase. For us, a successful production is the unity of raw material, technique, and tectonic quality. In the office we talk about the ‘opportunities in production’ which means that we do not simply apply building products to a concept but try to understand each element looking for the opportunities in the production.

The opportunities in production provide us with the tools to distill projects to their tectonic essentials and to work directly with these elements: The materials, the construction, and the visual form of the built, converge to constitute a unified whole.

As a result, the built then becomes exactly what we see and touch, exactly what we feel beneath our feet.

Team

Jo Qiang (CH)

Operational Director, Partner

(+45) 9155 4010

qiang@archivalstudies.net

Partner
M.Arch. , Cranbrook Academy of Art 2016

Yuan-Chieh Yang (TW)

Design Director, Partner

(+45) 6168 4010
yang@archivalstudies.net

Founding partner
M.Arch. , Cranbrook Academy of Art 2015

Emil Roman Frøge (DK)

Creative Director, Partner

(+45) 5230 4010
froege@archivalstudies.net

Founding partner
M.Arch. , Cranbrook Academy of Art 2015

Paulina Heinz (DE)

Assistant Creative Director, Designer

(+45) 6110 7104
heinz@archivalstudies.net

Part time

B.Des. , Universität der Künste Berlin, 2021
AS since 2021

 

Ananda Ferreira Gomes (DE)

Student Worker, Communication

B.Des. , Hochschule Pforzheim, 2019

Ana Rosales Rodriguez (ESP)

Project Manager, Architect

M.Arch., ETSAC, UDC. Coruña, Spain, 2014

Petra Hertl (SLO)

Project Manager, Architect

(+45) 2210 1182
hertl@archivalstudies.net

M.Arch., University of Ljubljana, 2021

Mikkel Wickmann (DK)

Constructor, Designer

B.Des., Royal Academy of Art, Copenhagen, 2022
Carpenter, Svendborg Technical School, 2015

Benedikte Munk Randløv (DK)

Product Intern, Designer

B.Des., Royal Academy of Art, Copenhagen, 2022

Ditte Vestergaard (DK)

Master, Cabinet Maker

Cabinet Maker, Next Copenhagen, 2023

Tobias Staalmann (DK)

Joiner Apprentice

Apprentice, Copenhagen Technical School, X
B.Communication, Roskilde University, 2018

Johanne Holmboe (DK)

Joiner Apprentice

(+45) 2993 1653

Open positions

Furniture Design Intern

July/August 2024 - December 2024

We are looking for our yearly Fall Furniture Fesign Intern. Preferably as a part of University program or Erasmus+. A highly motivated individual with experience in both the design and hands-on prototyping of furniture. In this role, you will be working on the intersection of the studio and our prototyping workshop, developing products all the way from concept to production. Our way of working entails both the conceptualisation of new furniture for ongoing spatial projects as well as the product development of our existing design studies.
Knowledge of woodwork, Rhino and the Adobe Package are basic requirements. Inventor is a +.
If you have the above aspirations, looking for a diverse and international design studio to further develop your professional skills then please send us your portfolio and cv (english preferably) at job@archivalstudies.net

Architecture / Spatial Intern

March 2024 - July 2024

We are looking for our yearly Spring Architecture / Spatial Intern. A highly motivated and organized individual. In this role, you will be working in the intersection of interior architecture for transformation, research, and artistic disciplines. Always in an interplay with our joiner and cabinetmaker looking for opportunities in production and construction principles.
Knowledge in Rhino and the Adobe Package are basic requirements. Enscape is a +.
If you have the above aspirations, looking for a diverse and international design studio to further develop your professional skills then please send us your portfolio and cv (english preferably) at job@archivalstudies.net

Contact

Project Inquiries

mail@archivalstudies.net

Please contact us at: mail@archivalstudies.net

Product Inquiries

product@archivalstudies.net

Please contact us at: product@archivalstudies.net

Job Inquiries

job@archivalstudies.net

Please contact us at: job@archivalstudies.net

Financial Iquiries

invoice@archivalstudies.net

Please contact us directly at: invoice@archivalstudies.net

collaborators

Victor Boye Julebæk, Sarah Mullertz, Pihlmann Architects, Artikel København, Gehl People, Studio Atlant, Chrissie Muhr, Marianne Krogh, Dinesen Lab, Christine Bjerke, Almenr, Rasmus Baes, Forthcoming Studio, Peter Frøge, Studio Kim Lenschow, Realdania, Mentze Ottenstein, MSSR Works, Åsmund Sollihogda, Arda Audio, The Danish Association of Architects

 

clients

Realdania, SMK, Bikubenfonden, Rockfon, FRAMA, Glyptoteket, Norse Projects, Ricardo Bofill, Refshaleøens Ejendomsselskab, Art Hub Copenhagen, Copenhagen Contemporary, NREP, Trifolium, Kinraden, Åben Brewery

Exhibitions and Publications

Publication, book, Reset Materials, exhibition design, 2023
Exhibition, Parts of a Whole, with Artikel København, 3 Days of Design, 2023
Exhibition, Mindcraft Project, Online exhibition, 2021
Publication, magazine, Kōnā Restaurant, Monocle, 2021
Publication, magazine, Archival Studies, Euroman, 2020
Exhibition, Studio X , 3 Days of Design, 2020
Publication, book, 11 rum: Nyindretning at Marienborg, 2019
Exhibition, Give Tradition a New Meaning, Living Is Giving, Beijing Design Week 2018

grants and residencies

Business grant, The Young Artistic Elite Grant, Statens Kunstfond Danish Arts Foundation, 2019
Travel grant Japan, Danish Arts Foundation, 2019
Travel grant Japan, Dreyers Fond, 2018
Residency, Danish Art Workshops, Copenhagen, 2018
Project grant, Danmarks Nationalbanks Jubilæumsfond, Denmark, 2017

Lectures

Latvian Design Award, ‘Transforming the Already Excisting’, Riga, 2023
The Royal Danish Academy of Art, School of Architecture, ‘Understanding the Already Excisting’, Copenhagen, 2022
The Royal Danish Academy of Art, School of Architecture, ‘Lecture 01’ Copenhagen, 2018

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